I get asked so often how long it takes me to paint a mandala. It totally depends on what size it is, how detailed it is, how much I have going on around its creation and so on…. I decided to share some of my thoughts on this with you in an article because it always helps me to get clarity on the whole process. First and foremost painting a mandala is a meditation. I remember the first time a lovely gentleman came up close to my stand and after a few minutes of.
That really made me smile. What a lovely question. I began to explain to him that I never really know what the paintings are going to look like when I start them. The quicker I get out of my own way and allow everything to flow, the better. Many of you will know that I stretch my silk onto the frame, mark the centre and then draw several random concentric circles with a fabric marker and compasses.
I then take my bottle of gold gutta, the resist that creates the pattern, and start to draw the pattern, circle by circle, going out from the centre. I allow it all to unfold freehand, so the mandalas have a natural, easy symmetry without being too exact. There are a few exceptions to this. One or two of my paintings depict specific sacred geometry and so they had to be created using the compasses and ruler.
With some of my larger mandalas, the process of applying the gold gutta takes on a really meditative tone as some of the outer rings take. Fiona Stolze painting "Stargate" silk mandala. I normally play some of my favourite spiritual music and then completely surrrender to what is happening. And during this time the colours just choose themselves. Knowing that any colour goes with any other one makes everything so simple. Then linear time ceases to exist. I painted it in the summer months and so was able to have the patio doors open to let the warm air in to circulate in the room.
I lost count of how long this painting was actually on the frame. It was a pure joy to paint. The chakra colours run up through the two stars with high-vibrational magenta in the centre. But one thing is very clear. Painting in this way is a nourishment for the soul.
Colour is pure energy. And energy allowed completely free flow is a potent form of healing.A little chat about silk painting technique
So healing the world with these beautiful colours seems a very worth while way to be. Comment by Jan Billings April 28, Reply. Comment by Fiona April 28, Reply. What is mandala exactly?On this 3 hours long creative workshop we will paint mandalas!
Silk painting weekend with Master Silk painter Sissi Siska
We offer you various mandala patterns from which you can choose or you can bring your own design to paint on silk. Let your creativity flow freely and enjoy 3 hours of fun and relaxation. We will provide you with all material you need and we will support you during the whole process. You can choose to paint a mandala where the pattern is already contoured on the silk or if you wish you can create your mandala by first drawing the contour of the chosen pattern on the silk.
Previous experience in silk painting or any other expressive art is not necessary, you just need to bring your enthusiasm and high spirits. Working with colours will recharge you and you can take home a Mandala painted by you, with which you can immediately decorate your home or give someone as a special gift.
The fee of the materials is to be paid in addition: - mandala 20 cm : HUF 1, - mandala 15 cm, pre-contoured : HUF 2, The mandala painting workshop takes place in small groups participants and you will receive all the material you need.
Usually, during these 3 hours you can either paint one bigger 20 cm or two smaller 15 cm mandalas already contoured. Please sign up czondork gmail. This painting course is held usually on weekdays, from PM to PM. Mandala Painting Workshop. Course fee: HUF 8, The fee of the materials is to be paid in addition: - mandala 20 cm : HUF 1, - mandala 15 cm, pre-contoured : HUF 2, The mandala painting workshop takes place in small groups participants and you will receive all the material you need.
Contact Us. All rights reserved.Tantric techniques :. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals.
Most thangkas were intended for personal meditation or instruction of monastic students. They often have elaborate compositions including many very small figures. A central deity is often surrounded by other identified figures in a symmetrical composition. Narrative scenes are less common, but do appear. Thangka serve as important teaching tools depicting the life of the Buddha, various influential lamas and other deities and bodhisattvas.
The term may sometimes be used of works in other media than painting, including reliefs in metal and woodblock prints. Today printed reproductions at poster size of painted thangka are commonly used for devotional as well as decorative purposes. Many tangkas were produced in sets, though they have often subsequently become separated. Thangka perform several different functions. Images of deities can be used as teaching tools when depicting the life or lives of the Buddha, describing historical events concerning important Lamas, or retelling myths associated with other deities.
Devotional images act as the centerpiece during a ritual or ceremony and are often used as mediums through which one can offer prayers or make requests. Overall, and perhaps most importantly, religious art is used as a meditation tool to help bring one further down the path to enlightenment.
The Buddhist Vajrayana practitioner uses a thanka image of their yidamor meditation deity, as a guide, by visualizing "themselves as being that deity, thereby internalizing the Buddha qualities"  tangkas hang on or beside altars, and may be hung in the bedrooms or offices of monks and other devotees. Tibetan Buddhist painting developed from widespread traditions of early Buddhist paintings which now only survive in a few sites such as the Ajanta Caves in India and the Mogao Caves on the Silk Roadwhich has very extensive wall-paintings and was the repository for what are now the earliest surviving Tibetan paintings on cloth.
The thanka form developed alongside the tradition of Tibetan Buddhist wall paintingswhich are or were mostly in monasteries. The early history of the form is more easily traced through these murals, which survive in greater numbers than the portable paintings which certainly once existed.
They might then be given to a monastery or another individual, or retained for use by the commissioner.
Some thangka have inscriptions on their back recording that they were the personal meditation image thugs dam of a notable monk.
The commissioner would provide the materials, which were often valuable, and by tradition the compensation to the artist was regarded as a "gift" rather than a fee.
Painting was a valued accomplishment in a monk. The "Library Cave" there was a repository of old or worn out manuscripts, paintings, prints, textiles and other items which was sealed off in the 11th century, after several centuries of deposits.
Many of the paintings have Tibetan inscriptions or are in a style that can be recognized as Tibetan, as opposed to the dominant Han Chinese style and some pieces reflecting Indian styles. Surviving tangkas on cloth certainly from Tibet itself start in the 11th century, after the revival of Buddhism; there are some 20 surviving from this and the 12th century.
As later the typical compositions shows a central figure flanked by smaller other figures, often in framed compartments, or surrounded by flaming halos or seated on small clouds. Behind these figures a landscape background including much sky is often indicated, though little of it may be visible.
The central figure may be a deity, and arhator an important monk, and the same groups make up the background figures.Would you like to have a silk picture that is personal, fits your home and, besides delighting your eyes, has a positive effect on your life?
If your answer is yes to either of the two questions — you are at the best place! Because I paint genuine silk pictures that are unique, irreproducible and can fit in the desired space. You can require the picture as a help to strenghten a specific area of life like health, love, job or as a representation of a certain feeling tranquility, joy, love, presence, cheerfulness.
Click here if you want to see my works. If you want to see my pictures personally, please contact me and we can fix an appointment to meet in Budapest. If you click here you can read a text about silk painting and you can watch three short videos. If you have the possibility to come to Budapest you can participate in a silk painting course with me.
If you are interested in this, please contact me. Mandalas are the representations of the awakening soul, finding and perfecting yourself. The circle is the symbol of being whole. Motives drawn in a specific order within the circle radiate joy, peace, harmony, tranquility and concentration. A mandala is just like life — intangible, inexpressible, perceivable, sublime.
It switches off the mind — takes you beyond its limits. The soft, malleable, feminine silk material adds a lot to the mandala. It radiates warmth, love and femininity, it adapts itself easily, reacts nimbly to the changes of the world.
How to make perfect mandalas with a simple hack
If we create our mandalas with silk painting and we focus our attention inwards we can find the energy of acceptance, tenderness, love and openness. While painting the mandala we get into a meditative state of mind — we feel as if time has vanished, together with our daily problems. We relax and are recharged by simply observing the colours and forms that pop up within us.
We let our real self manifest itself, connecting to the inner world beyond our personality. A mandala is the spiritual representation of being complete, of life, unity and the Universe. In Eastern cultures, painting mandalas is an ancient meditation technique, which gives us a chance to become conscious of our real self and cast a glance into the world beyond thoughts.
Creating your spiritual and personal mandala is a healing, relaxing way to reach inner peace. Painting on silk is an easy way to experience mandala painting meditation while practicing a qualitative mandala artwork. Would you like to learn the mystery of silk painting, starting with the basic things right now? Contact Us. All rights reserved.Mar 19, How To Paint Rocks 8 comments. Mandala rock painting is a technique that many people are intimidated by, including me.
I even found an easy hack to make spacing a breeze! Mandalas are intimidating… especially as a beginner. Check out these dot painting tips for beginners! This page contains affiliate links which means if you make a purchase using the link, I could receive a commission. Check out all the details here. To get my spacing correct, I started with a paper template.
I believe that this mandala hack is what makes the difference for us beginners. So much of this technique is spacing and getting the dots to line up. This simple trick was a game changer for my mandala rock painting.
Here are the instructions for the hack I use to create mandalas. Please watch the video at the end to see it all in action.
Place the center of your template onto the center of your rock. Find the spot where the farthest dot will be. Make a note on your triangle and then punch a hole at that spot. You want the hole to be equidistant to either side of the triangle. Cut down your triangle so that you have the center and the hole and the leftover triangle is gone. Unfold the template and use the circles as your spacing guide.
Hold your template on your rock while you create dots in each hole. Looking for more rock painting ideas? Get inspired here!
If you want your center to be bigger, go ahead and use a bigger sized dotting tool to make it bigger. I like to start my Mandalas from the center dot and work my way out. So I will make my next row of dots. Using the exterior dots as your guide, place a circle of dots around your center dot. Keep creating new dot patterns that repeat all the way around your center dot.
Remember to continue to use those exterior dots as a guide. When creating smaller dots, get some paint on your dotting tool and press down. If you keep creating dots, each dot will get smaller until you get more paint onto your dotting tool.
But having a base coat on your rock will make your design pop out. Check out these tips for giving your rocks a quick and inexpensive base coat. It may be that your paint is just too thick.Learn how to draw a mandala!
In this drawing lessonI'll show you how I constructed the colorful mandala you see above. Although it looks complicated, it's actually quite easy, once you know the steps! A mandala is a complex abstract design that is usually circular in form. In fact, "mandala" is a Sanskrit word that means "circle".
Mandalas generally have one identifiable center point, from which emanates an array of symbols, shapes and forms. Mandalas can contain both geometric and organic forms. They can also contain recognizable images that carry meaning for the person who is creating it. In essence, mandalas represent the connection between our inner worlds and outer reality.
Designing your own mandalas can be both inspirational and therapeutic. Are you looking for printable mandala coloring pages? I've got 23 hand-drawn mandala designs to color, just for you!
My ebook of Mandala Coloring Pages is perfect for those who want ready-made, blank mandala designs to color.
If you want to learn how to create your own mandalas, continue reading my popular mandala-making lesson below! When you create your own mandala, think of it as an echo of your soul. Drawing and coloring a mandala can be a highly enriching personal experience in which you look inside yourself and find the shapes, colors and patterns to represent anything from your current state of mind to your most deeply-desired wish for yourself, for a loved one, or for humanity.
You can design a mandala to symbolize a state of mind that you would like to achieve. Mandalas are great tools for meditation and increasing self-awareness. Many different cultures around the world use mandalas in their spiritual practices. The best thing about designing your own mandals is that you have the freedom to choose whatever shapes and colors that you feel express your sense of self and your view of reality.
Your mandala is yoursand you have the freedom to use your creativity to create a mandala drawing that is uniquely you. Once you know the basic steps of how to draw a mandala, you can try now new designs and new colors each time you draw a new mandala.
You don't need many materials to learn how to draw a mandala. All you need is: paper, a pencil, a ruler, and an eraser. If you make a purchase via the links below I receive a small commission, which helps support this site. To color in your mandala: your choice of colored pencilswatercolorscrayonsor any other type of art material for coloring. You can also use a compass if you like - this will be covered in the steps below. The first step in how to draw a mandala is to measure out your paper into a square shape.
The square can be as big or as small as you like. The bigger the square, the more room you will have for putting in lots of detail and color. I made my square 8" x 8". Next, use your ruler and a pencil to draw a dot in the very center of the squareas shown above. The next step in how to draw a mandala is to draw a series of circles around this dot. Once you've drawn the dot in the center of your square, one easy way to draw circles is to use a compass. If you don't have a compass, don't worry - drawing circles is easy if you follow these steps :.
Next, measure out another distance from the center dot. I chose 1. Using the same process as before, make a mark at this same distance on top, below, to the left and to the right of the center dot.In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and trance induction.
It is used as a map in Shintoism in the Indian religions of HinduismBuddhismJainism or Japanese religion of Shintoism representing deities, or in the case of Shintoism, paradises, kami or actual shrines. In New Agethe mandala is a diagram, chart or geometric pattern that represents the cosmos metaphysically or symbolically; a time-microcosm of the universebut it originally meant to represent wholeness and a model for the organizational structure of life itself, a cosmic diagram that shows the relation to the infinite and the world that extends beyond and within minds and bodies.
The basic form of hinduism mandalas is a square with four gates containing a circle with a center point and it is called also a yantra. Each gate is in the general shape of a T. A yantra is similar to a mandala, usually smaller and using a more limited colour palette.
It may be a two- or three-dimensional geometric composition used in sadhanaspuja or meditative rituals, and may incorporate a mantra into its design. It is considered to represent the abode of the deity. Each yantra is unique and calls the deity into the presence of the practitioner through the elaborate symbolic geometric designs.
According to one scholar, "Yantras function as revelatory symbols of cosmic truths and as instructional charts of the spiritual aspect of human experience" .
Many situate yantras as central focus points for Hindu tantric practice. Yantras are not representations, but are lived, experiential, nondual realities. As Khanna describes:. Despite its cosmic meanings a yantra is a reality lived.
Because of the relationship that exists in the Tantras between the outer world the macrocosm and man's inner world the microcosmevery symbol in a yantra is ambivalently resonant in inner—outer synthesis, and is associated with the subtle body and aspects of human consciousness.
It describes circles of friendly and enemy states surrounding the king's state. In historical, social and political sense, the term "mandala" is also employed to denote traditional Southeast Asian political formations such as federation of kingdoms or vassalized states.
It was adopted by 20th century Western historians from ancient Indian political discourse as a means of avoiding the term 'state' in the conventional sense.
Not only did Southeast Asian polities not conform to Chinese and European views of a territorially defined state with fixed borders and a bureaucratic apparatus, but they diverged considerably in the opposite direction: the polity was defined by its centre rather than its boundaries, and it could be composed of numerous other tributary polities without undergoing administrative integration.
The term appears in the Rigveda as the name of the sections of the work, and Vedic rituals use mandalas such as the Navagraha mandala to this day. In Vajrayana Buddhism, mandalas have been developed also into sandpainting. They are also a key part of Anuttarayoga Tantra meditation practices. The mandala can be shown to represent in visual form the core essence of the Vajrayana teachings.
The mind is "a microcosm representing various divine powers at work in the universe. An example of this type of mandala is Vajrabhairava mandala a silk tapestry woven with gilded paper depicting lavish elements like crowns and jewelry, which gives a three-dimensional effect to the piece. A mandala can also represent the entire universe, which is traditionally depicted with Mount Meru as the axis mundi in the center, surrounded by the continents.
In the mandala, the outer circle of fire usually symbolises wisdom. The ring of eight charnel grounds  represents the Buddhist exhortation to be always mindful of death, and the impermanence with which samsara is suffused: "such locations were utilized in order to confront and to realize the transient nature of life".
One well-known type of mandala is the mandala of the "Five Buddhas", archetypal Buddha forms embodying various aspects of enlightenment. Such Buddhas are depicted depending on the school of Buddhismand even the specific purpose of the mandala. A common mandala of this type is that of the Five Wisdom Buddhas a. The mandala is "a support for the meditating person",  something to be repeatedly contemplated to the point of saturation, such that the image of the mandala becomes fully internalised in even the minutest detail and can then be summoned and contemplated at will as a clear and vivid visualized image.
With every mandala comes what Tucci calls "its associated liturgy By visualizing "pure lands", one learns to understand experience itself as pure, and as the abode of enlightenment. The protection that we need, in this view, is from our own minds, as much as from external sources of confusion.
In many tantric mandalas, this aspect of separation and protection from the outer samsaric world is depicted by "the four outer circles: the purifying fire of wisdom, the vajra circle, the circle with the eight tombs, the lotus circle". As a meditation on impermanence a central teaching of Buddhismafter days or weeks of creating the intricate pattern of a sand mandalathe sand is brushed together into a pile and spilled into a body of running water to spread the blessings of the mandala.
The unfolding of the tantric ritual depends on the mandala; and where a material mandala is not employed, the adept proceeds to construct one mentally in the course of his meditation. A "mandala offering"  in Tibetan Buddhism is a symbolic offering of the entire universe. Every intricate detail of these mandalas is fixed in the tradition and has specific symbolic meanings, often on more than one level.